Unofficial Nature
Unofficial Nature was an installation and performance exploring the role of weeds within a healing system that has swayed from its natural course.
Drawing inspiration from the local, Chris drew out aspects of nature that have been introduced through human intervention after being depleted of its indigenous and natural ecosystem. In particular, weeds have self-sown in a landscape left to its own resources.
By definition, weeds are valueless, undesirable, or troublesome plants that grow wild, especially on cultivated ground to the exclusion of a desired crop. Considering that this landscape, and most of the land within our country and the world for that matter, has been vastly decimated of its natural and indigenous habitats through human intervention, nature, by its true course, will inherently mediate to stabilize this new system.
So how do we define a balanced system? How do we correct a course to a balanced system? Do ‘weeds’ have a place within a system to correct a natural course?
Through bioelectrical means usually reserved for monitoring people and the environment, this installation extracts data from a collection of plants to then trigger various electronic sounds, visual media, and devices.
The installation displayed the energy inherent in all living systems and question their value and our role within them.
Find out more about Chris Brady.
Location: The Woodshed – 44 Riverside Drive
Opening & Performance: 5pm – 7pm Thu 23/5
General viewing times: 12pm – 6pm Fri 24/5 & Sat 25/5
Artist Talk: 3pm Sat 25/5 – Chris Brady in conversation with Megan Dickinson
About Chris Brady
Chris Brady takes a multidisciplinary approach to his art practice, drawing from his experience in landscape architecture and his long interest and passion for sound exploration and music. He completed his Master of Fine Arts degree at Elam School of Fine Arts in 2016 and resides in Whangarei, Northland.

About ARG Lab 24 & Awhi Incubator
This experience was part of the Alternative Reality Gardening Lab – a creative innovation event within the capacity-building Awhi Incubator Project. ARG Lab 24 showcased research conducted by participants and collaborators of the Awhi Incubator during 2023/2024.
Following a successful publication and symposium in 2023, ARG Lab 24 was a transdisciplinary collection of exhibitions, events, performances, workshops, and talks exploring diverse perspectives on place. It occurred across Te Tai Tokerau|Northland from May 17th to the 25th.
Underpinning the lab are themes of resilience, diversity, sustainability, and an expanded understanding of the concept of ‘place”.
Places today are formed from multiple intelligences, materialities, and lifeforms and are intersected by a rich array of alternative realities and parallel worlds. Flora, fauna, signals, and code entangle, and what is considered real, true, alive, and beautiful is negotiated. The lab explores emerging new types of gardens. What is being cultivated (internally, creatively, physically, spiritually)? What is thriving, and what needs protection? What new lifeforms and materials are emerging, and how do they intersect with what exists now?
ARG Lab 24 is a nexus for scholarly debate and creative exploration, highlighting themes of resilience and sustainability. It interrogates the intersection of emerging technologies with natural and social ecosystems, exploring how digital narratives and artistic practices can inform and transform our understanding of intelligence, being, space and place.
ARG Lab 24: TV

Thanks to the Ministry of Culture and Heritage | Manatū Taonga for funding the Awhi Incubator Project through their Innovation Fund.
























